281 Royalty-Free Audio Tracks for "F Minor"

The first four bars of Fugue No. 12 in F Minor, BWV 881, by Johann Sebastian Bach

A nice rhythm loop to jam or sing with. Key of aminor (f and g). Ibenez acoustic, brand new elixer strings and recorded with acer laptop native mics.

Sonata f minor, Domenico Scarlatti, Kirkpatrick 466, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate f-Moll, Domenico Scarlatti, Kirkpatrick 466, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Symphony No. 4 in F minor, Op. 36. 4th movement "Finale: Allegro con fuoco (F major)".

A dark minor chord progression made with a vintage synth plugin on fl studio.

Synth bass loop created with korg minilogue xd124 bpmkey of f minor. Doctor dreamchipaugust 2020.

| - description - |. Atmospheric experimental music. E minor scale. Em, gm, f # m, am. | - made with - |. Harmor - fl studio. | - uses - |. For projects or whatever i wanted.

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Piece of backing vocals from my new song, dropping on soundcloud soon. Key of bm, 80 bpm. Notes are b,a, a, f#.

| - description - |. Synthwave style song. 125 bpm. G # minor scale. G # m, f #, e, d # m. | - made with - |. Sawer, poizone and stock samples - fl studio. | - uses - |. For projects or whatever i wanted.

F. Chopin. Polonez c-moll op. 40 nr 2Frédéric Chopin. Polonaise in C minor, Op. 40 no. 2Frédéric Chopin. Polonaise en do mineur, op. 40 no. 2.

Piano Sonata No. 1 in F minor, Op. 2, No. 1. 1st movement allegro.

Sonate Nr. 1 f-Moll op. 2 Nr. 1, 2. Satz (adagio) Piano Sonata No. 1 in F minor, Op. 2, No. 1. 2. Adagio. Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 2eme mouvement, Adagio.

F. Chopin. Polonez cis-moll op. 26 nr 1.Frédéric Chopin. Polonaise in C-sharp minor, Op. 26 No. 1.Frédéric Chopin. Polonaise en do dièse mineur, op. 26 no 1.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

Piano Sonata No. 1 in F minor, Op. 2, No. 1. 4. prestissimo. Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 4eme mouvement, Prestissimo.

Little piano melody i made for a track. Has echo which is bitcrushed, and some "izotope vinyl" plugin slapped ontop of it. 115 bpm and f minor harmonic. Enjoy!. Btw always curious about what you make from this, feel free to link your creations :).

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

Piano Sonata No. 1 in F minor, Op. 2, No. 1. 3rd movement - Menuetto and Trio (allegretto). Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 3eme mouvement, Menuet et Trio: allegretto.

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.